I will be participating in a series of LADA Study Room Sessions (organised by Maddie Costa, Diana Damian and Mary Paterson) that aim to explore, rethink and rename a writing practice
that emerges from performance. This writing might be in tension with
performance, or in conversation, or might forget it altogether. It is loosely
associated with criticism, documentation, poetry and conceptual art, and might
be all or none of these things. We don’t have a history for it, although it is
rooted in traditions. We don’t have a place for it, although it appears
everywhere. We don’t have a name for it, but could christen it with you. The
three events, organised in collaboration with the Live Art Development Agency,
will approach this writing from three directions: How do we write? Who do we
write for? What comes next?