From 24 - 29 October I am working at FoAM Kernow in Cornwall with Alex Mclean, Ellen Harlizius-Klück and Dave Griffiths as part of the AHRC Digital Transformations Amplification research project, 'Weaving Codes – Coding Weaves’. This project asks: “What are the historical and theoretical points at which the practice of weaving and computer programming connect? What insights can be gained if we bring these activities together, through live shared experience? How do digital technologies influence our ways of making, and what new digital technologies can we create to explore their social use in creative collaboration? The research residency included a public performance exploration of weaving and live coding (see documentation below) as well as discussions about a forthcoming special issue of Textile: Journal of Cloth and Culture focusing on insights and findings from this project. My role in this project is as a critical witness/interlocutor; reflections from my observations on the project will form part of a research article for the special issue of Textile, elaborating ideas developing within a series of conference presentations around the title 'Live Coding | Weaving : Penelopean Mêtis and the Weaver-Coder's Kairos.
- emma cocker
- Emma Cocker is a writer-artist based in Sheffield and Associate Professor in Fine Art at Nottingham Trent University. Operating under the title Not Yet There, Cocker's research focuses on the process of artistic exploration and the performing of ‘thinking-in-action’ emerging therein; on models of (art) practice and subjectivity that resist the pressure of a single, stable position by remaining wilfully unresolved. Her mode of working unfolds restlessly along the threshold between writing/art, including experimental, performative and collaborative approaches to producing texts parallel to and as art practice. Cocker's recent writing has been published in Failure, 2010; Stillness in a Mobile World, 2010; Drawing a Hypothesis: Figures of Thought, 2011; Hyperdrawing: Beyond the Lines of Contemporary Art, 2012; Reading/Feeling (Affect), 2013; On Not Knowing: How Artists Think, 2013; Choreo-graphic Figures: Deviations from the Line, 2017; The Creative Critic: Writing as/about Practice, and as a solo collection entitled The Yes of the No, 2016.
Conference Paper: Kairos Time: The Performativity of Timing and Timelines
I will be presenting my conference paper, 'Kairos
Time: The Performativity of Timing and Timeliness … or; Between Biding One’s
Time and Knowing When to Act', at the forthcoming first PARSE biennial research conference at the Faculty
of Fine, Applied and Performing Arts, University of Gothenburg, Sweden, running
November 4–6, which takes as its point of departure the question of
"TIME." Speakers include Bruno Latour, Simon Critchley,
Simonetta Carbonaro, Coco Fusco, Jalal Toufic, The Otolith Group, Flat Time
House and Vermeir & Hieremans. Please follow these links for
information about the conference structure and the draft timetable, featuring links to the
presenters of the Conference.
Exhibition/Project: Contemporary Code – Artistic Research
City University of Hong Kong, Kowloon Tong, Hong Kong
30 October 2015 - 29 November 2015
An exhibition project by the University of Applied
Arts Vienna in cooperation with the School of Creative Media/ City University
of Hong Kong
Curated by Gerald Bast, Alexander Damianisch, Romana
Schuler
In the 1960s, the term “visual research” was
introduced into certain fields instead of the term “art”. The term “artistic
research”, which has become increasingly relevant in recent decades, continues
this development. Research characterizes an understanding that is gaining more
and more validity in art while having an innovative impact. In the exhibition
“CONTEMPORARY CODE – ARTISTIC RESEARCH”, artistic research is being
internationally positioned as part of the new academic guiding model of the
University of Applied Arts Vienna. Five years ago, President Gerald Bast
co-initiated the PEEK Research Program in Austria, with the aim of promoting an
interdisciplinary approach in the arts and sciences. Today, PEEK is one of
Austria’s key contributions to the international developments in the field of
artistic and research driven activities.
Participating projects:
Artist
Philosophers. Philosophy as Arts-Based Research
Artistic
Technology Research
BIORNAMETICS
– Architecture Defined By Natural Patterns
Breaking the
Wall – Playful Interfaces for Music Audience Participation
Choreo-graphic
Figures. Deviations from the Line
DIGITAL
SYNESTHESIA
E/M/D/L –
European Mobile Dome Lab for Artistic Research
Eden's Edge
Empowerment
in the Practice of Art and the Social Sciences
Expansion
and Development THIS BABY DOLL WILL BE A JUNKIE
GrAB –
Growing As Building
Interacct
Liquid
Things
n.formations
– An Atlas of Experiments in Materialized Information
NO ISBN – the
Privatization of Publication
Quantum
Cinema – A Digital Vision
Robotic
Woodcraft – Performative Producers in Architecture and Design
Stitching
Worlds
Transpositions:
Artistic Data Exploration
Visuality
& Mathematics
Publication: Pretentious Writing
Pretentious
Writings is interested in the crossing of meanings, how the modes/mediums of
processing information and languages affects understanding. Pretentious
Writings invited artists working with text or interested in thinking as a form
of artistic medium, for sensing in their approaches how the issues of
translation, conversion, and meaning formation are embedded into visual strategies.
Pretentious Writings has gathered multiple diverse authorial contributions into
a non-pretentious publication with a format that is part fanzine, part feel of
a gathering of friends.
André Alves (ed.), Ângelo Ferreira de Sousa, Chris Reeves, Cynthia Gregory, Danielle van Zuijlen, Diego Vites, Eduardo Leitão, Emma Cocker, Francesco Ventrella, Maria Sottomayor, Natalie Calderón, Not-Wolf, Patrick Coyle, Ricardo Castro, Valter Ventura
Event: Manchester Contemporary
Manchester Contemporary
24 - 27 September 2015
Bloc Projects will be presenting new work by four artists who have featured in our programme over the last 12 months - Helen de Main, Graeme Durant, Louisa Martin and Rebecca Ounstead - alongside editions and publications by Emma Cocker and Victoria Gray, Dale Holmes, Rebecca Lennon, Louisa Martin, David McLeavy and Rebecca Ounstead. The fair previews on Thursday 24 September 2015, find out about the public events programme, location and opening hours here.
Event: Who will go to art school?
Bloomberg New Contemporaries 2015
24 September 2015, 6.30 - 8.30
New Art Exchange, Nottingham
Bloomberg New Contemporaries 2015 will launch in Nottingham across artist-led spaces Backlit, One Thoresby Street and Primary, supported by an additional programme of events at Nottingham Contemporary, New Art Exchange and Nottingham Castle Museum & Art Gallery.
Bloomberg New Contemporaries 2015 will launch in Nottingham across artist-led spaces Backlit, One Thoresby Street and Primary, supported by an additional programme of events at Nottingham Contemporary, New Art Exchange and Nottingham Castle Museum & Art Gallery.
Discussion about the future of arts education and the
proliferation of alternative art schools. Asking, who in the current economic
climate has access to arts education and learning? Speakers: Emma Cocker
(Reader in Fine Art, NTU), Anna Colin (Open School East), Paul Goodwin
(Professor of Black Art & Design Studies, UAL), and Emily Pope (School of
the Damned). Part of the public programme for Bloomberg New Contemporaries
2015, selected by Hurvin Anderson, Jessie Flood-Paddock and Simon Starling, and
hosted by the New Midland Group.
Below is a version of my presentation:
Below is a version of my presentation:
Event: Counter Art Book Fair
Counter
Art Book Fair
Saturday 24th October
2015, 12 – 6pm
Karst, Plymouth
Clare Thornton and I present our new publication from the project The Italic I at
the Counter Art Book Fair, Karst, alongside additional
publications both solo and collaborative.
Other exhibitors
include: AM
Bruno / Antler Press / Arnolfini / As Yet Untitled / Atlantic Press Camberwell
College of Arts / Chloe Spicer / Chubby / Clare Rogers / Emma Cocker & Clare Thornton / Fennertown / G . F Smith / Guy Bigland / Hazard Press / HG
Makes / Howling Owl Records / Impact Press / KARST Shop / Keiken Collective /
Ladies of the Press* / LALALA POMPOM / Mark Leahy / Nathan Walker / OOMK / Pea
Robinson & Rachael Jenkins / Pylon Press / Semple Press / STANDING
FRAME / The B.L.N.T. Collective / The Chinchilla / The Shipping Press /
Uniformbooks / Wotadot


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